The Craft Behind Our Products

Every Kardashii piece starts as a textile, not a template. Long before it becomes a bag, a pair of shoes, or a piece for the wall, it exists as a flat-woven or hand-knotted textile — a craft that can take months to complete by hand. Here's a closer look at the techniques and materials behind our collections.

Collection of handwoven kilim, jajim, and suzani textile rugs displayed together

Kilim

Kilim is a flat, tapestry-woven technique — as opposed to a knotted pile — made almost entirely from wool, used for both structure and pattern. Because it's woven rather than knotted, a kilim textile looks much the same on both sides, and its geometric patterns are built directly into the weave rather than added afterward.

Handwoven kilim rug with tribal patchwork motifs, corner folded to show the reverse side

Jajim

Jajim is a thinner, two-sided handwoven cloth, made from wool or a blend of wool and silk. Traditionally used as a coverlet, its fine, colorful threads and reversible construction make it a natural fit for the structured bags and accessories we build from it.

Handwoven jajim-style rug with colorful geometric diamond pattern

Suzani

Suzani is an embroidered textile — its name comes from the word for needle — traditionally hand-stitched onto a cotton or silk base. Each Suzani panel tells its own story through color and pattern, which is why we treat every piece we use as a one-off rather than a repeatable print.

Handwoven suzani-style rug with colorful embroidered floral pattern on a blue field

Pictorial Weaving

Unlike a floor rug, a pictorial weave is made to be seen, not walked on. Instead of a repeating pattern, it holds a single image or scene, woven in silk and wool with the same knotting techniques used for centuries — then framed and hung like a painting. It's the textile equivalent of a portrait: made once, for one wall.

Framed pictorial weaving depicting a Venice canal scene, displayed like a painting

The Symbols in Our Products

The shapes and motifs woven into our textiles sit somewhere between decoration and language. They're not arbitrary — many follow patterns passed down through generations of weavers, even where their exact meaning isn't always traceable today. We see them as a quiet thread of history running through every piece, whether or not it's ever fully translated.

Macro detail of stacked folded kilim and jajim textiles showing woven symbols and motifs